Search the name and the filmmaker is not who comes back first. Most general results for Brett Currie point to other people, including an MMA fighter and an actor, and the Edinburgh video producer has to be hunted for behind them. For a commercial creative whose clients find him by reputation, that crowded name is a working problem before the work itself is even assessed.

What the outside record holds

Once the right Brett Currie is located, the independent trail runs short. A profile on recommendedcompany.co.uk lists five reviews for the Edinburgh video production work, with no star average shown anywhere in the listing. The Facebook business page posts real client jobs but carries no review count. Google, Trustpilot, and Yelp return nothing for him as a filmmaker. Five entries on one minor aggregator, no aggregate score, no presence on the platforms a buyer would check first: a brand weighing a high-value commission is left judging the reels and asking for referrals, with almost nothing public to cross-check against.

The About section compounds this. It references work with internationally recognised brands but names none of them, so the strongest credential on the page is also the one a prospective client cannot confirm. The active LinkedIn presence and the Facebook page do show posted client jobs a viewer can scroll through, which is more useful than the unnamed claim, though neither amounts to a verifiable rating.

What is on offer

Brett Currie runs a one-person operation out of Leith, Edinburgh, covering cinematic brand films, corporate and promotional video, commercial and documentary work, commercial photography, and CAA-approved drone cinematography. The Motion section holds the bulk of the work, organised around brand storytelling, the outdoors, and the relationship between people and place. Those are stated specialisms, and the public channels line up with them. The YouTube presence under the BrettCurrie name tilts heavily toward van travel and location-led commercial reels; Vimeo and Instagram pull in the brand and corporate commissions. Nowhere on the site or the feeds is there wedding or event coverage, so the focus is genuine, not a scattershot of everything a camera owner could take money for. That discipline is to Brett Currie's credit.

The CAA approval for aerial cinematography is listed plainly. Unlicensed drone work on a commercial shoot is a liability and insurance exposure, and stating the authorisation upfront is the correct thing for a producer to do. The Stills section is its own part of the site rather than an afterthought; commercial photography sitting beside motion means a single shoot day can yield both video deliverables and stills from one operator, trimming scheduling overhead for a brand campaign. The site stays spare throughout: Home, Motion, Stills, About, Contact. The social footprint, by contrast, is wide for a solo studio in this category, spanning Instagram, LinkedIn, Vimeo, YouTube, and Facebook.

Contact

Reaching him is the most straightforward part. There is a Contact tab in the main navigation, and the homepage itself shows a phone number and an Edinburgh address alongside the social profile links. A solo operator publishing a physical address and a direct phone line in plain view, with no form standing between client and contact, is not the norm and reads as a producer comfortable being found.

The capabilities here are specific and the focus is disciplined, and for a buyer who already trusts the reels that may be enough to start a conversation. The catch sits with everything the listing leaves unconfirmed: the marquee brand work goes unnamed, no platform a client would normally trust carries a meaningful score, and five reviews on a single secondary site is the entire independent record for someone pitching for significant commercial budgets. The reels can show what Brett Currie can shoot. They cannot show whether a paying client got what was promised, on time and on budget, and on the public evidence available right now there is no way to settle that question.

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