{"id":18856,"date":"2020-05-20T23:23:18","date_gmt":"2020-05-21T04:23:18","guid":{"rendered":"https:\/\/www.jasminedirectory.com\/blog\/?p=18856"},"modified":"2025-11-23T23:57:08","modified_gmt":"2025-11-24T04:57:08","slug":"interview-with-roland-kulla","status":"publish","type":"post","link":"https:\/\/www.jasminedirectory.com\/blog\/interview-with-roland-kulla\/","title":{"rendered":"Interview with Roland Kulla"},"content":{"rendered":"

Your path on becoming an artist was not typical. Share that with us.<\/strong><\/p>\n

Roland Kulla:\u00a0I\u2019m on my third career. I spent ten years in the seminary studying to be a priest. I made a lateral transfer to social work, a career that kept me busy<\/a> for 30 plus years as a practitioner, administrator, teacher and consultant. But throughout it all I have always been\u00a0active with art<\/a> in many forms. I\u2019ve sung, designed sets and costumes, played violin, rehabbed and restored several Victorian buildings and gradually tried different types of visual arts<\/a>. I started with drawing and watercolors, moved to oils in 1989 and then started using acrylics in 1996. I\u2019ve also picked up some printmaking along the way \u2013 linocuts, woodcuts, drypoint, lithography, etc. I took the plunge and started to show my work about a dozen years ago. Many, many baby steps later, I decided it was what I really wanted to do with my life.<\/p>\n

\"\"<\/p>\n

Why are you a painter?<\/strong><\/p>\n

Roland Kulla: I have visions. Painting is the process by which I make them visible. I ignore the visions at my peril.<\/p>\n

NA:\u00a0Describe your overall work and method and also why you have been drawn to \u201cbridges\u201d as a subject<\/a> matter.<\/p>\n

RK:\u00a0Bridges caught my eye about ten years ago when I was looking for something more \u201cconceptual\u201d. In my interpretation of that term, I took the bridge forms and painted them in a realistic style, but I eliminated backgrounds and cropped them in such a way as to make them abstract at the same time. I generally compose with the camera, then select the most dynamic images to produce as paintings. I usually work in series, so I will be working on a dozen or more paintings at one time.<\/p>\n

You recently had a one-person show at the George Billis Gallery<\/a> in NYC. How was that whole experience?<\/strong><\/p>\n

Roland Kulla: It was a great situation because by the time it happened, I\u2019d had experience. I was used to developing bodies of work and working to deadline for several years. I was also used to putting on my own shows at the co-op gallery where I was a member. So I knew something about what it took to put on a show.<\/p>\n

I had been showing with the Billis gallery for several years as an \u201cother artist\u201d before the Gallery decided to represent me. They had been selling a half dozen paintings a year of my Chicago \u201cbridges\u201d work. So I had a track record and didn\u2019t feel like I needed to \u201cprove\u201d myself in that sense. I had already been scouting New York<\/a> bridges, so when the time came, it was easy to pull together a group of images that I felt would make an exciting show. I also included the gallery director in the process of selecting the final set of images. I felt it would be more productive if he were invested in the images and not surprised by what I produced.<\/p>\n

\"\"<\/p>\n

What was different was letting go of certain parts of the process. I had been used to doing my own thing, hanging the show myself, etc. With the gallery, they worried about that. They also handled the media, cards, etc. My job focused more on producing the best paintings I could. While I have less contact with the collectors who buy more work, the fact remained that more than half the paintings sold \u2013 the best show I\u2019d ever had.<\/p>\n

Where do you see your work taking you in the future?<\/strong><\/p>\n

Roland Kulla: The short answer is \u201call over the place\u201d. I\u2019ve begun to do \u201cbridge cities\u201d. So far, I\u2019ve done Chicago, Boston, New York and Pittsburgh. There\u2019s plenty more material in each of those places. But I\u2019d like to do Portland, the beautiful bridges on the Oregon<\/a> coast highway, Cleveland, etc. There could be a whole road trip on the Ohio<\/a>. And that\u2019s just the continental US. Eiffel did some beautiful bridges in the south of France<\/a> that gave him the experience to build the Tower in Paris. There\u2019s the Blaues Wunder in Dresden. Some great stuff in Cologne. Lots of possibilities.<\/p>\n

And if I get tired of bridges, I can keep working on my occasional series of ruined Cistercian abbeys that are scattered throughout Europe<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Your path on becoming an artist was not typical. Share that with us. Roland Kulla:\u00a0I\u2019m on my third career. I spent ten years in the seminary studying to be a priest. I made a lateral transfer to social work, a career that kept me busy for 30 plus years as a practitioner, administrator, teacher and […]<\/p>\n","protected":false},"author":1,"featured_media":18859,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[71],"tags":[744],"class_list":{"0":"post-18856","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art","8":"tag-art"},"yoast_head":"\nInterview with Roland Kulla<\/title>\n<meta name=\"description\" content=\"Your path on becoming an artist was not typical. Share that with us. Roland Kulla:\u00a0I\u2019m on my third career. 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